According to our Literature specialist John D. Larson, there are five first editions of Fahrenheit 451 of interest to collectors.
As with all important modern first editions, a set of criteria should be met. The worst faults include being an ex-library copy, dampstaining, tears or chips to the jacket that affect letters and anything else that differs from the way the book appeared on the day it first arrived in bookshops.
The value of a given copy is established via comparable copies previously seen at auction. Condition of binding, contents, and, of course, the dust jacket are critical determinants. Signed or inscribed copies bring a premium. It should be noted, however, that signed copies of first editions by Ray Bradbury are not scarce; he was a rather public figure, but early signatures are still especially appealing.
So, here are things to look for in the top five most desirable editions of Fahrenheit 451.
5. The first edition in England was published in 1954, one year after its release in the United States. Its red dust jacket is important to its value.
4. The fine publishing company Limited Editions Club produced an edition of 2,000 copies in 1982, featuring one color lithograph and illustrations by Joe Mugnaini. It was issued without a dust jacket. The best copies of this edition are signed by both Bradbury and Mugnaini.
3. The first trade edition, published by Ballantine Books in 1953, should retain a fine dust jacket. The colors of the spine of the jacket should not be too faded, though even virtually pristine copies almost always have some sort of fading. Another prize would be a copy signed in the year of publication. Perhaps there exists a copy inscribed by Bradbury to Francois Truffaut, who directed the film version of the book; that would be newsworthy and command a very high premium.
2. The limited first edition bound in asbestos is especially appealing to collectors because it is charmingly self-referential. The novel imagines a world in which reading is outlawed, and fire men are instructed to burn any books they find, as well as the houses where the books were kept. The title, Fahrenheit 451, refers to the temperature at which paper burns. Because it is bound in asbestos, this edition would not burn in the case of such a dystopia. This numbered edition of 200 was published without a dust jacket, leaving the binding exposed. This, in conjunction with the absorbent nature of asbestos, makes for a typically scruffy exterior. The whiter and crisper the cover, the more valuable your book could be.
1. The specially bound author’s edition consisted of 50 unnumbered copies was bound up specially for Bradbury. The tome is distinguished from the trade edition by the slightly different binding: under the slipcover, the special edition boasts gilt lettering embossed on red cloth. The trade edition’s cover is lettered in yellow. John notes that this is a “subtle distinction but a crucial issue point.” The copy in our May 15 auction comes from the estate of Stanley Simon, a private collector in Queens, and was inscribed to him by Bradbury in 1982.
As with all modern first editions, the value of these points waxes and wanes depending on other factors peculiar to each copy, such as a stellar provenance or an unusual association.
The next auction of 19th & 20th Century Literature at Swann Galleries will be held on May 15, 2018.
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